We offer a wide range of antiquarian and modern pictures. (All prices include
frame, VAT & free local delivery.)
Photograph of Tranquil Vale, 1874
Same size
as the original Giclée-printed to museum standard on heavy cartridge paper £95
London & The Thames, 1616 Recent hand-colouring of an engraving attributed to C.J. Visscher. Giclée-printed to museum standard on heavy cartridge
paper
£135
London Before &
After the Great Fire, 1666 Recent hand-colouring of a 17thC engraving by W. Hollar Giclée-printed to museum
standard on heavy cartridge paper £185
Views of Greenwich Park, 1558 From “The History of Kent – The Blackheath Hundred” Recent hand-colouring Giclée-printed to museum standard on heavy cartridge £185
Royal Aquatic Excursion to Greenwich
Published
to commemorate Queen Victoria’svisit to Greenwich and its Hospital in 1838.This
is a fine giclée reproduction, scanned from the rare original & printed on thick cartridge
paper. £175
A View of Greenwich Park
by Thomas Shotter Boys Modern reprint of a 19C original (The setting
for the Equestrian Events in the 2012 Olympics) Giclée-printed to Museum standard on heavy cartridge paper £125
Montpelier Vale, Blackheath by Richard Pearson
Beech-framed giclée print £65
A View of The Thames & Blackfriars Bridge by Thomas Shotter Boys Modern giclée print of a 19th C original Printed to Museum standard on heavy cartridge
£195
A View of The Thames & London Bridge by Thomas Shotter Boys Modern giclée print of a 19C original Printed to Museum standard on heavy cartridge
£195
Other Collectable Prints
Joan
Miro Lithograph: “Summer”
This is one of Joan Miro’s earliest lithographs, first published
in issue no. 3 of the exclusive French art & literature quarterly magazine Verve (October 1938) along with
three other lithographic interpretations of the four seasons by Chagall, Rattner and Klee. Miro has signed the work in the
plate of the original lithograph.
Joan Miro Framed Lithograph:
“Air”
This is believed to be Joan Miro’s earliest lithograph, executed
in 1937 and first published in issue no. 1 of the exclusive French art & literature quarterly magazine Verve
(December 1937) along with three other lithographic interpretations of the four elements by Léger, Rattner and
Borès. Miro
has signed the work in the plate of the original lithograph.
These
two fine giclée prints on heavy white cartridge paper are reproduced here exclusively at twice
the original size, making the vibrancy of the colours even more stunning.